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INTRODUCTION: TRACING HORROR’S ARCHIVAL PREOCCUPATIONS

Lauren Gilmore

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A WEIRD BUNCH OF CUTTINGS: NEWSPAPER CLIPPINGS AS LOVECRAFTIAN FOUND FOOTAGE

Kevin Cooney

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HAUNTED MEDIUMS: THE DOSSIER NOVEL AND FOUND FOOTAGE IN SHELLEY JACKSON’S RIDDANCE (2018)

Callie Ingram

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WITNESS, PROPHECY, AND FOUND FOOTAGE IN ABLE GANCE’S J’ACCUSE (1919, 1938)

Elizabeth Tussey

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‘WATCH CAREFULLY WHAT IS ABOUT TO HAPPEN’: LES DOCUMENTS INTERDITS (1989-1991) AND THE INTERROGATION OF FRANCE’S CULTURAL MEMORY

Reece Goodall

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‘IF YOU ARE WATCHING THIS TAPE…’: FOUND FOOTAGE HORROR AS ARCHIVAL RECORD

Shellie McMurdo

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‘I OFFER WHAT I KNOW TO BE THE TRUTH’: THE DEFUNCT, ARCHIVAL HORRORS OF Y2K FOUND FOOTAGE WEBSITES

Ellen Boyd

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DISMANTLING TIME: DIGITAL EXISTENTIALISM IN LAKE MUNGO (2008)

Amira Shokr

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FOUND NOSTALGIA, SATANIC PANIC, AND HALLOWEEN SADISM, TONIGHT AT ELEVEN!: THE WNUF HALLOWEEN SPECIAL (2013)

Kevin J. Wetmore, Jr.

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‘THERE ARE NO WORDS TO DESCRIBE HOW DISTRESSING IT IS’: THE TAKING OF DEBORAH LOGAN (2014), NORMALCY, AND THE SUBVERSIVE RADICALISM OF THE MUNDANE

Darren Gray

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‘FOLKLORE FIGHTS BACK: VISUAL ARCHIVES AND UNSETTLING CULTURAL LANDSCAPES IN SAVAGELAND (2015) AND BUTTERFLY KISSES (2018)

Isaiah Frost Rivera

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DISCOVERING TRUTH: FOUND FOOTAGE HORROR AND SYSTEMS OF KNOWING

Kari Sawden

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‘DOCUMENTING THE MIRACULOUS: THE SURPRISING CONNECTION BETWEEN ELLIOT GOLDNER’S THE BORDERLANDS / FINAL PRAYER (2013) AND JORDAN PEELE’S NOPE (2022)

Dawn Keetley

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BEING AND KNOWING THE FOUND FOOTAGE MONSTER IN THE CURSE OF PROFESSOR ZARDONICUS (2022)

Thomas Britt

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DO IT FOR THE VIEWS: LAUGHING AT THE HORRORS OF INFLUENCER CULTURE IN DEADSTREAM (2022)

Heather Roberts

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ISOLATION IN NEW MEDIA FOUND FOOTAGE HORROR: HOST (2020), DEADSTREAM (2022), AND WE’RE ALL GOING TO THE WORLD’S FAIR (2022)

Devin McGrath-Conwell

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THE FIRST FOUND FOOTAGE HORROR TTPRG: AN INTERVIEW WITH JOHN ‘HAMBONE’ MCGUIRE AND GEORGE ‘GEO’ COLLAZO, CREATORS OF THE DEVIL IN NEW JERSEY (2022)

Justin Wigard

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‘THE PLAYER IS GONE’: DIGITAL MEDITATIONS ON MORTALITY IN A FICTIONAL VIDEO GAME

Britta R. Moline

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‘I’M PART OF YOU NOW’: FOUND FOOTAGE HORROR AND THE INTERACTIVE VIEWER OF IMMORTALITY (2022)

Adam Daniel

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CONTRIBUTORS

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