While director Matt Reeves may have described the most recent Batman movie, The Batman (2022), as “almost a horror film,” horror as an aesthetic mood or idiom pervades representations of the character and his world across cinematic history. The stylistically and tonally diverse cinematic projects of Tim Burton, Joel Schumacher, and Christopher Nolan and now, Matt Reeves, have deployed some quintessential tropes of horror filmmaking in the course of envisioning the caped crusader and his adventures. Batman has served as a convenient and uniquely ingenious cultural device that allowed directors to crystallize the social and political horrors of their times on the cinematic scape. This list consists of the Top 10 Horror moments in the cinematic history of Batman. The scenes are ranked in order of least to most horrifying, with no. 10 being a semi-comical scene that draws on horror aesthetics, and no. 1 being an out-and-out jump-scare moment.
When autumn rolls around horror movies awake. Among the most enduring of stories for fall frights is the short story by Washington Irving, “The Legend of Sleepy Hollow.” The story is simple: an outsider schoolmaster, Ichabod Crane, comes to Sleepy Hollow and is smitten by Katrina Van Tassel. Katrina’s beau, Brom Bones, frightens the credulous schoolmaster out of town by masquerading as the headless horseman of local lore. This secular ghost story became a big screen hit with the addition of a religious element to the script. This addition fueled two seasons of Fox’s sleeper hit of 2013, Sleepy Hollow. It also may have contributed to the series’ demise. How did all of this come about?
Published two centuries ago in 1820, Irving’s story was the basis for one of the early ghost films of the cinematographic era—The Headless Horseman (1922), directed by Edward D. Venturini. While horror films have a longer pedigree than is generally acknowledged, this was clearly an early attempt to translate a ghost story to cellulite. Two other silent films addressed the topic as well, but they don’t survive in film. Read more